Op-Ed: Coachella is overrated, right?
By Chloe Tran, Staff Writer, Social Media Manager
• April 22, 2024
In Memoriam: Concert culture
By Nadia Talanker, Entertainment Editor
• April 22, 2024
Conan Gray’s Found Heaven: The eighties, 40 years later
By Naadiya Walji and Bela Jotwani
• April 22, 2024
Review: Beyoncé’s Cowboy Carter
By Karla Berrueto and Sundari Maharajh
• April 21, 2024
Benson Boone: Rollerblades up and taking off like fireworks
By Nadia Talanker, Entertainment Editor
• April 21, 2024
BREAKING NEWS: Lip-syncers left jobless amidst national TikTok ban
By Naadiya Walji, Staff Writer
• April 1, 2024
Taylor Swift’s carbon emissions stir ‘Bad Blood’ among CVHS students
By Andrew Lee, Staff Writer
• March 4, 2024
Op-Ed: The TikTok-ification of the music industry
By Audrey Piczak, Opinions Editor
• December 4, 2023
‘CALL ME IF YOU GET LOST: The Estate Sale’ Review: Tyler, The Creator’s new era
By Nhu-Tran Vo, Staff Writer
• April 24, 2023
Ariana DeBose’s BAFTAs Rap Review: Contrary to media uproar, it was not the worst awards show moment ever
By Sasha Cabral, Editor-in-Chief
• March 10, 2023
“Gloria” Review: a glorious disaster
By Hagar Cohen and Rinn Wilson
• February 17, 2023
Op-Ed: How “listening to everything BUT country music” is ignorant, at best
By Joseph Mutagaya, Arts and Entertaiment Editor
• December 13, 2022
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