
Eurovision 2023: A Scandinavian scandal
By Nadia Talanker and Judith Carrizales
• May 17, 2023

‘The Super Mario Bros. Movie’ Review: Mario comes to life in the new movie
By Karla Berrueto and Bao Nguyen
• April 24, 2023

‘FACE’ Review: Jimin’s reflection with his identity
By Nina Nguyen, Feature Editor
• April 24, 2023

‘CALL ME IF YOU GET LOST: The Estate Sale’ Review: Tyler, The Creator’s new era
By Nhu-Tran Vo, Staff Writer
• April 24, 2023

‘The Night Agent’: Netflix’s new political thriller
By Chiamaka Uwalaka and Naadiya Walji
• April 24, 2023

Review: The return of Girl Scout Cookies
By Catherine Hu and Ella Pham
• March 10, 2023

Ariana DeBose’s BAFTAs Rap Review: Contrary to media uproar, it was not the worst awards show moment ever
By Sasha Cabral, Editor-in-Chief
• March 10, 2023

Burger Bodega Review: a taste of H-Town in a New York-style smash burger
By Katheryn Consuegra and Neela Ravi
• March 10, 2023
“Cocaine Bear” Review: Drug-fueled lesson in parenting
By Ava Manchac, Staff Writer
• March 8, 2023

“Chicken Shop Date” Review: Love and chicken (featuring your favorite celebrities)
By Katheryn Consuegra, Arts and Entertainment Editor
• February 18, 2023

“Let’s Start Here” Review: Lil Yachty traverses the world of psychedelic rock in his new album
By Audrey Piczak, Opinions Editor
• February 17, 2023
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