Dev Patel’s Monkey Man: More than just an action movie
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Kung Fu Panda 4 Review: Guess who’s back?!
By Kaylee Yang, Staff Writer
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Op-Ed: Are influencer podcasts worth tuning into?
By Nina Pinglay and Charlie Smith
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Review: The Gilded Age’s season two serves glittery American aristocracy with dashes of social commentary — and that’s enough
By Sasha Cabral, Editor-in-Chief
• January 22, 2024
The Boy and the Heron review: a breathtaking story of love, loss, and a feathered friend
By Kaylee Yang, Staff Writer
• January 22, 2024
SNL’s Protective Mom 2 review: A laugh-inducing examination of stereotypes, race, and culture
By Sasha Cabral, Editor-in-Chief
• December 10, 2023
Ariana DeBose’s BAFTAs Rap Review: Contrary to media uproar, it was not the worst awards show moment ever
By Sasha Cabral, Editor-in-Chief
• March 10, 2023
The Golden Globes and its fight for a comeback
By Adrianna Guadalupe and Anjali Martinez
• January 27, 2023
“Avatar: The Way of Water” review: A wholesome story despite its flaws
By Manizeh Rahman, Contributing Writer
• January 27, 2023
“Rosaline”: Hulu’s guide to turning an independent woman to a damsel in distress
By Judith Carrizales, News Editor
• November 14, 2022
MAVI’s torn between fame and family in his new album, “Laughing So Hard, It Hurts”
By Audrey Piczak, Opinions Editor
• November 14, 2022
Mad because bad?: Valorant video game review
By John Nguyen, News Editor
• November 14, 2022
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