
Ariana DeBose’s BAFTAs Rap Review: Contrary to media uproar, it was not the worst awards show moment ever
By Sasha Cabral, Entertainment Editor
• March 10, 2023
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“True Spirit” Review: The spirit of perseverance
By Nicole Rodil Suarez, Arts & Entertainment Editor
• February 17, 2023

“Puss in Boots: The Last Wish” Review: An edgy yet heartwarming tale as old as time
By Brooke Bushong and My-Tran Vo
• January 27, 2023

“Miss Universe 2022” review: is this review out of this world? Or are the outfits?
By Karla Berrueto and Ivan Salazar
• January 27, 2023

“Rosaline”: Hulu’s guide to turning an independent woman to a damsel in distress
By Judith Carrizales, News Editor
• November 14, 2022

MAVI’s torn between fame and family in his new album, “Laughing So Hard, It Hurts”
By Audrey Piczak, Staff Writer
• November 14, 2022

Your choice of sweet and savory at Coco Crepes & Coffee
By Chiamaka Uwalaka and Dia Vaswani
• November 14, 2022

“Hocus Pocus 2” lacks the magic of the original
By Sasha Cabral, Entertainment Editor
• November 14, 2022

A game plan to get the most for your money at the all you can eat True Sushi
By Joseph Mutagaya and My-Tran Vo
• November 14, 2022

Common Bond’s Sweet Lies
By Ava Manchac, Staff Writer
• November 14, 2022

Legendaddy: An album filled with memories from the past, present and future
By Adrianna Guadalupe, Staff Writer
• November 14, 2022

Monster: Turning trauma into public entertainment
By Nadia Talanker, Contributing Writer
• October 20, 2022
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