
‘FACE’ Review: Jimin’s reflection with his identity
By Nina Nguyen, Feature Editor
• April 24, 2023

‘CALL ME IF YOU GET LOST: The Estate Sale’ Review: Tyler, The Creator’s new era
By Nhu-Tran Vo, Staff Writer
• April 24, 2023

MAVI’s torn between fame and family in his new album, “Laughing So Hard, It Hurts”
By Audrey Piczak, Opinions Editor
• November 14, 2022

Carly Rae Jepsen’s new album “The Loneliest Time” is questionably shadowed by Taylor Swift’s new album “Midnights”
By Ivan Salazar, Staff Writer
• November 14, 2022

Arctic Monkey’s new album “The Car” will weigh down your heart
By Catherine Hu, Staff Writer
• November 14, 2022

Legendaddy: An album filled with memories from the past, present and future
By Adrianna Guadalupe, Staff Writer
• November 14, 2022

Review of Indigo’s EP “Oh Dear”
By My-Tran Vo and Brooke Bushong
• May 27, 2022

Pink Floyd reunites to release “Hey Hey Rise Up” in response to war in Ukraine
By Sasha Cabral, Editor-in-Chief
• May 27, 2022

Jon Batiste’s We Are album deserved the Grammy Award for Album of the Year, CVHS students disagree
By Sasha Cabral, Editor-in-Chief
• April 19, 2022

Mother Mother Hayloft II: Is revenge worth it?
By Katherine Linares, Editor In-Chief
• March 9, 2022

Back to their roots: Muse releases new song “Won’t Stand Down”
By Sasha Cabral, Editor-in-Chief
• February 20, 2022

Greta Van Fleet’s The Battle at Garden’s Gate: leading the charge for a Rock revival
By Sasha Cabral, Editor-in-Chief
• November 8, 2021
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