2022 Grand Prix of Figure Skating: A defiance of expectations

Kaori+Sakamoto+at+her+short+program+for+the+2022+Grand+Prix+Final.+The+event+concluded+on+the+11th+of+December%2C+the+results+leaving+many+figure+skating+aficionados+in+shock.+%7C+Photo+credit%3A+Iana+Saveleva

Iana Saveleva

Kaori Sakamoto at her short program for the 2022 Grand Prix Final. The event concluded on the 11th of December, the results leaving many figure skating aficionados in shock. | Photo credit: Iana Saveleva

This weekend, the final for the ISU Grand Prix took place in Torino, Italy. After a few weeks of buildup in the form of qualification competitions, the finalized competitors took the ice one last time.

Furthermore, the first Grand Prix in 3 years was an immaculate defiance of expectations – both good and bad.

Perhaps the most heartbreaking performance – on par with even Yuzuru Hanyu’s 2022 Olympic performance – to come out of this year’s skating season was Kaori Sakamoto’s long program.

Leading in the short program with a total segment score of 75.86 and having previously set exceptionally high expectations in her past Grand Prix competitions, all eyes were on Sakamoto to bring gold home to Japan. While Japan did end up receiving a gold medal for the women’s final (among nearly every other competition), Mai Mihara had been the one to win after Sakamoto mourned a mistake-riddled free skate.

Kaori Sakamoto's long program at Skate America. | Photo credits: Getty Images
Kaori Sakamoto’s long program at Skate America. | Photo credits: Getty Images

Her first and most obvious mistake came as the second jump she attempted, one she executed nearly perfectly aside from her failure to land it properly. She had stepped out of it as soon as she came back down after having tilted far too much mid-air.

Almost all of the following jumps she attempted resulted in similar mistakes or were under-rotated, cutting down on a substantial amount of her points.

Sakamoto has been known for her amazing and skilled performances – however, there was no explanation on her part of why she had done so poorly (for her standards) during her free skate. 

Regardless of the fact that this was far from Sakamoto’s maximum potential, it was also far from disappointing. It was beautiful to watch, and for those with less experience in figure skating, it might have even given the impression of a gold medal performance. Even Sakamoto’s mistakes are polished so well that they’re nearly unnoticeable. 

Ilia Malinin's same short program at Skate America a few days prior. | Photo credits: AP Photo/Michael Dwyer
Ilia Malinin’s same short program at Skate America a few days prior. | Photo credits: AP Photo/Michael Dwyer

On the other side of the spectrum, American figure skater Ilia Malinin finished the men’s short program in 5th place. 

Though odds were against him with this low score and a left foot injury, Malinin dedicated every ounce of strength and dedication he had to his subsequent long program, resulting in what easily became my favorite overall performance of this year’s Grand Prix.

His energy was wholly unmatched. Though only Italian competitors had been able to work the crowd thus far, Malinin was able to focus on not only displaying his abundance of skill, but also entertaining the crowd around him. 

Just as the music picked up from slow and almost classical to a faster portion of the Euphoria soundtrack, he gestured towards the audience around him as if conducting them to cheer. 

Ilia Malinin's long program at the Grand Prix Finland, the competition antecedent to the Grand Prix Final. | Photo credits: NBCSports/OlympicTalk
Ilia Malinin’s long program at the Grand Prix Finland, the competition antecedent to the Grand Prix Final. | Photo credits: NBCSports/OlympicTalk

After the crowd erupted in excitement, the attribute that truly elevated his recital arose – his enjoyment for what he was doing. 

While many skaters default to focusing on their technicality and rehearsed choreography and end up losing focus of the sport’s purpose in art and entertainment, Malinin smiled after the bulk of his complicated technical portion was ‘done and dusted’. He seemed to enjoy the faster, hip-hop-esque choreography of the last quarter, and his face showed it.

However, this performance isn’t what led to his exceptional competitive scoring. Malinin’s technicality and unique choreography carried his score to 271.94 and an overall 3rd place. 

Malinin after the Grand Prix Final's medal ceremony, posing with his bronze medal. | Photo credit: Robin Ritoss Photography
Malinin after the Grand Prix Final’s medal ceremony, posing with his bronze medal. | Photo credit: Robin Ritoss Photography

Once again, Ilia Malinin landed a quadruple axel in the first twenty seconds of being on the ice, still being the only person to have landed one in competition. His balance on a quarter of an inch of metal is better than that of people on their own two legs – from the way he’s able to keep upright while swaying the way he does to the way he extends his leg perfectly as he dismounts from a jump. 

Ilia Malinin is, without a doubt, a figure skating legend. He deserves every accolade that comes with his title as the ‘Quad God’.

The results for the men’s final was Shoma Uno 🇯🇵 in first, Sota Yamamoto 🇯🇵 in second, and Ilia Malinin 🇺🇸 in third. In women’s, Mai Mihara 🇯🇵 came in first, Isabeau Levito 🇺🇸 in second, and Loena Hendrickx 🇧🇪 in third. In pairs skating, Riku/Ryuichi 🇯🇵 took first, Knierim/Frazier 🇺🇸 took second, and Conti/Macii 🇮🇹 took third.

As the final is now over, I bid this year’s Grand Prix a warm yet bitter farewell. I won’t miss waking up abnormally early to catch the live programs (as the final was in Torino, 6 hours ahead of central standard time), nor will I miss the frustration of finding a streaming platform that actually shows the Grand Prix – but I will miss the competitors who put their everything into the most complicated yet beautiful skates to date.

See you next year, France.