Love Lies Bleeding Review: A trailblazer for gritty sapphic films
By Lorena Chavez, Staff Writer
• May 6, 2024
Review: Chalamet shines in his very own world of pure imagination
By Joseph Mutagaya, Arts and Entertaiment Editor
• January 24, 2024
Priscilla review: In the shadows of Graceland
By Lorena Chavez, Staff Writer
• January 22, 2024
The Boy and the Heron review: a breathtaking story of love, loss, and a feathered friend
By Kaylee Yang, Staff Writer
• January 22, 2024
Op-Ed: Dear Hollywood, please stop casting the same Asian males
By John Nguyen and Natalia Nguyen
• March 10, 2023
Ariana DeBose’s BAFTAs Rap Review: Contrary to media uproar, it was not the worst awards show moment ever
By Sasha Cabral, Editor-in-Chief
• March 10, 2023
The Golden Globes and its fight for a comeback
By Adrianna Guadalupe and Anjali Martinez
• January 27, 2023
Op-Ed: Instant photography is de-memorializing memory
By Catherine Hu and Natalia Nguyen
• December 13, 2022
Op-Ed: The anti-hijab rhetoric is misplaced
By Manizeh Rahman and Nicole Rodil Suarez
• December 13, 2022
Apollo 10 ½: A Flawed but Admirable Attempt at Capturing Houston On Screen
By Atahan Koksoy, Staff Writer
• May 27, 2022
Film Review: A military teched-out birdman and a 106 year old metal armed soldier- what’s not to love
By Cameron Hart, Staff Writer
• April 9, 2021
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